"Colors by numbers"

Some ideas about these elements in

manga and anime (I)

(better seen in 800 x 600)

Human beings have always tried to explain the world around them and their own inner world through symbols. We have a great need to group things we perceive into categories of objects and sensations according to common traces. That is why we know all dogs belong to the same species, even if they have characteristics so different as those of a Pinscher or a Collie. Likewise, we associate to our concept of "dog" all traces of behavior that we observe in or project into it, such as fidelity or subservience.
We also tend to observe that other animals or even human beings also have such characteristics and thus the concept of "dog" can become a metaphor for a loyal or subservient human being. If we compare a person to a dog, we do not need to explain anymore that we think this person has some characteristics that are similar to the ones of a dog. When metaphors incorporate to a culture, they are called symbols. The whole process of metaphoric reasoning can get lost with the passing of time, so that today we very often do not know any longer why such images were chosen to stand for other things.

Symbols usually aggregate and contrive a lot of information in a very concentrated way. They are therefore largely used to transmit subliminally messages that transcend/complete those of the words (or, in the case of manga and anime, the pictures). We have already seen, on the pages about the importance of drawing , how it can transmit messages about the characters' personality and feelings (if you hadn't read it yet or want to review it, go to the page about drawing by clicking here). In this "chapter" we will present some implications of the use of colors and numbers in manga and anime.

Unfortunately (or fortunately!) the theme is so vast that it will not be possible to do more than just tempt your curiosity, dear Web traveler, by quoting some random examples from some well known series. Colors and numbers are some of the most powerful symbols in most cultures. Something magical has always been attributed to them: many people believe that the number 13 attracts bad luck or that wearing white clothes brings peace. There are specialists about the subject, who are integrally dedicated to its study. However, if symbols themselves may be universal, the meaning attached to them varies according to each culture and many effects get lost when they are presented to a public who does not share their cultural background. And since the meaning of symbols is no exact science and I am neither occultist nor numerologist, maybe you will not agree to some of my interpretations or even know about others for the elements I am going to discuss. If that is the case, please let me know about it so that I can enrich this page (and my mind) with this knowledge.

But let's get to the point!



Numbers

There are many examples of significant numbers in manga and anime. Some are motivated by other symbols or legends, such as the twelve Golden Saints in Saint Seiya (one for each sign of the Western Zodiac). But even in Saint Seiya what really matters are the adventures of Seiya and his companions, which are a very good example for one of the most recurrent numbers in such series: the group of five heroes.

Fans of manga and anime can almost recognize a series category that we could call "five heroes and a mission". We could name several of them here: starting with Saint Seiya, we also have Sailor Moon, Ronin Warriors, Shurato (counting Lakeshi), Yuusuke?s Team during the tournament in Yu Yu Hakusho (Poltergeist Report), Gundam Wing, Bakuretsu Hunter, Power Rangers, Changemen, Flashmen... Well, you can complete the list with many others. The important thing is that, when there is a group of heroes or main characters, they usually are five and not two, six, twelve or fifteen ? although groups of five are not the only ones to appear, they are surely the most common. And there is a good reason for that.
 
 

The groups of five characters in Sailor Moon, Power Rangers, Ronin Warriors and Saint Seiya.

FIVE: Union

The number five can be seen as the union of the first even number (2) and the first uneven one greater than one (3). Thus, the number five stands for synthesis and union. The greatest trump of such groups of characters is their "team work", their ability in acting as a sole being, although each member retains his/her individuality and function within the group. Such harmony is the Japanese receipt for succeeding: to drop individualistic thinking in benefit of the group, without ignoring the characteristics of each member, his/her abilities and shortcomings, and give each one the opportunity to act in accordance with his/her forces (this is very clear in the conflicts among the children in Digimon, although not in a five member group).

Still about the possibilities of analysis for number five, we can see it as the union of the numbers four (usually related to the Earth and to mankind) and one (the unity, the number of God). We thus have the internal hierarchy of such groups: four "supporting characters" and one leader. The leader is clearly the one who has the greatest physical and/or moral power, but he also has the greatest responsibility: he must care for the union and integrity of the group, take decisions and distribute the tasks. If the laurels of victory belong to him (even when it results from the efforts of others) his is also the responsibility for the errors and defeats of the group, even if he was not the one to cause them. Japanese hierarchy is rigid and implacable, but it also sees to it that everyone knows exactly what he/she is supposed to do within his/her limits. The leader is vital for the group to function well, and this can only happen when his leadership is integrally recognized by the group: this usually is achieved after a period of conflicts during which he shall prove to the others his capacity in conducting the group as a harmonic whole.
 

Number five is also associated to the pentagram, or five pointed star (I know this picture is not a real pentagram, but I am not crazy to put such a powerful figure on my page!). We can see that it clearly presents a base and a peak, standing for a harmonic and dynamic construction. The internal hierarchy of the five character groups can also be recognized in the pentagram: there is a leader, the "peak" of the pentagram, and two other characters of great power who, although less powerful than the leader, are practically equals. These two, like the "arms" of the pentagram, point to different directions and usually assist the leader in his/her decisions: one very often acts as a "councilor" and the other as "opposition" to the leader. These conflicting opinions give the leader different points of view which will help him to choose the right action for each situation, not as an individual, but as the result of a common effort.
Finally, there are two other elements that form that base. These characters usually do not interfere directly in the decisions of the leader, but they are very important to lend stability to the group. They are always ready to support the others and lend them all their strength so that their mission can be completed. Think of all the groups of five characters that you know, dear reader, and I am sure that you will find such "task division" in most of them.
 

FOUR: Death 
If the number five is associated to heroes, number four is perfect for the group of antagonists. We have a very good example in the Japanese name for both the Four Generals of Beryl in the first phase of Sailor Moon and the four Evil Masters in Digimon (both are called Shitennou, that can be roughly translated into "the four heavenly kings"). It is not fortuitous that the "elite group of evil", the last barrier before the supreme enemy, has four members: in Japanese the number four is said to bring bad luck, since it can be pronounced as shi, the same word for "death" (so we could also translate Shitennou as "the heavenly kings of death"). Therefore, number four is avoided in the Japanese culture (same as 13 in many Western cultures) and, as the number of death, is perfect for characters who rejoice in it (it is also interesting to notice that the four ?generals? together with the supreme enemy also constitute a group of five, showing that even the ?evil ones? organize themselves according to the same norms). It is also interesting to notice that in the manga/anime Weiss Kreuz both the group of "good guys" (Weiss - "white" in German) and that of the "bad guys" (Schwartz - "black" in German) have four members each - and that they are really very much alike, since they are both groups of assassins working for secret organizations.
 

THREE: Family

Another number that is also often used for groups of main characters is three. It is not unusual for animated series to present a group of three protagonists, such as Rayearth and Pokemon, or three outstanding characters, although it is much less usual than groups of five. Number three presents the same advantages as the number five about the figure of the leader and the references to a harmonic and stable figure (now a triangle). Three is considered the number of divinity, of union and completion and is associated to communication and spirituality. One just has to think of the trinities found in several religions or the basic family figure (father, mother and the fruit of this union). Thus, groups of three main characters present a stronger complicity among their members and a lesser difference in terms of power and position in hierarchy. The members of such groups are usually friends and, although there is always a central protagonist, he/she is not necessarily a leader and coordinator of the group, but rather the link that unites the other two participants.
 

SEVEN: Search / EIGHT: Power
Groups of seven or eight characters are rather rare. There are just too many people to have both a psychological profile and specific abilities presented for each member, let alone make them interact as a whole! However we have a very contemporary example in Digimon. When I started watching the show I was surprised by the abundance of main characters, even if they built a group of one of the most powerful numbers: seven. Some consider it a lucky number, some say it brings bad luck. Anyway, the number seven has always been associated to mystery and power. It is a very important number and also particularly appropriated for the group of children in Digimon. But why?
Seven is considered (along with other characteristics) a mystic number associated to the search for the ultimate truth behind appearances and pre-stablished concepts through meditation and self-knowledge. It represents the mission of searching for the wisdom and inner strength that exists inside every one of us independently from the exterior world. It is the call for us to let aside the "crutches" we use to lean on (in Digimon, represented by the digivices and the pendants, which are mere instruments for focusing the inner force of each character), so that we can stand on our own legs. The seven children in Digimon, just as the groups of five characters, also form a dynamic group, but each one must find his/her place in it. For that they must recognize their strengths and weaknesses before they learn how to interact with the others without losing their own characteristics. The great danger in such a big group is the frequent subdivision in smaller groups and a greater difficulty for taking decisions. Frequently we see that the characters isolate themselves from the group to review their expectations and reevaluate their opinion about themselves and the others.

If a seven-character group had surprised me, I was really astounded when I found out that there was still another "digidestined"! I was mainly surprised by the fact that their group would then have eight people, an even number. Even numbers are considered "weak" because they don't have a "peak" and are very rarely used in manga and anime. However, when I examined the symbolism attached to the number eight I could see some logic about the whole affair.
Number eight can be seen as the number of those who "have the power". After the search and questioning endeavored under the number seven, number eight represents the act of "putting hands to work" and acting in order to get results. As an even number, the lack of "peak" makes it a stable solid number, even if a bit heavy one. But this stability is what allows the group to oppose evil in an organized, coherent way. It doesn't matter anymore who is the leader, everyone understands his/her responsibility and knows enough about him/herself and the others to put his/her abilities to the service of the mission of the group: to restore order in both universes.



Sincere thanks to my  friend Claudio Higa, who helped me with information about numerology. Incorrections and reveries are to be blamed solely on me, of course! Image of Saint Seiya from Stayka 's site. Image of the four generals of Sailor Moon kindly lent by Gita Lee. Image of Ronin Warriors from Ronin Warriors Screen Shot Archive.Image of Rayearth from the site Eternal Sailor Moon Heaven. Image of Digimon from The Digimon Screen Shot Archive. Image of Power Rangers scanned from an old Brazilian magazine named Animação. All series and characters mentioned here are of sole property of their authors and the companies that registered them (probably there are so many that I wouldn't be able to trace them all...). This site has solely amateur purposes and no money is being made through it (on the contrary, I will have to spend a lot of money to buy me glasses because of working deep into the night...)

Proceed to the second part of "colors and numbers": COLORS

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